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Design concept 設計理念
騰龍觀音Guanyin with the Flying Dragon
名稱:騰龍觀音
尺寸:22.4 x 3.5 x 33 cm
重量:1.445 kg

依據玉石的天然特質,由下而上,巧妙安排四臂觀音搭配騰龍含珠與歲寒三友的吉祥主題。底部以破浪而出的老松樹幹與翠竹構成,間以點綴梅花,龍尾依樹盤旋而上;中部觀音以龍身為座騎,右膝曲起,神態自若;上部飛龍在天,口吐明珠,能避水火,吉祥安泰。作品從海浪開始,通體充滿水珠,下中上三部分以「水」做為統整的要素,生動自然。
觀世音菩薩以慈悲救濟眾生為本願,聞聲救苦,是最常被運用在藝術創作的佛國菩薩。「四臂觀音」為佛教金剛乘的重要修行法門,四臂代表四種佛性:息(平息痛苦、障礙)、增(增加福慧、財富等)、懷(救度眾生、引領修行)、誅(誅滅惡念,克服外魔)。雖無具體持物,卻依循天然玉石的形態,創作出自在姿態的四臂觀音,寧靜垂目,照看眾生。

Depending on the natural texture of jade, from the bottom to top, the auspicious theme is cleverly planed as a four-arm Guanyin, pairing up a flying dragon, containing a pearl in its mouth, and the Three Friends of Winter, the pine, bamboo and plum. The bottom part is formed by an old pine with the look of breaking the waves, and green bamboo, the plum decoration, and then the dragon tail circling upward the pine. The middle part is the Guanyin, which rides on a dragon mount, bends his knees and his facial expression shows calm and feels at ease. The top part is the flying dragon contained a pearl in its mouth, which symbolizes avoiding the water and fire and bringing luck, health and security to people. Starting from the ocean waves to the drops of water covering the entire body of work, "water" is the essential factor to integrate the three parts from bottom to top and create a vivid and natural look.

The Bodhisattva Guanyin, God of Mercy, takes its original vow to rescue all living creatures, as well as hearing those in needs and rescuing them from suffering and disaster. So for the art making, it's the most frequently used model of Bodhisattva in the Buddha Land. The "four-arm Guanyin" is an important Dharma gate of spiritual cultivation for the Vajrayana in the Buddhism. The four arms of Guanyin mean four Buddha natures, including ending the karma (calming the pain and hindrance), increasing the karma (increasing the merit, wisdom, wealth and more), thinking of karma (giving all living creatures salvation and leading people for spiritual cultivation), and eliminating the karma (wiping out the evil intentions and overcoming the external Māra). Though the main part of work does not specifically host any objects, but the creator follows the shape of natural jade to create a four-arm Guanyin, which has a comfortable expression, looks down peacefully, and takes care of all living creatures.